從中可以看出后來無間道的雛形了，都是同樣的關于身份的尷尬定位引來的自我掙扎，張學友在演繹這種掙扎時非常給力。

拍的還可以了。

各種懷舊感，good old Liam Neeson, saving asses again.

well-developed characters, camaraderie and skills, dense dialogues, subversive humor, the conflict between Hendry and Carrington, one between Force and Reason, parallels a debate over whether America should cope with its Soviet adversaries through militar

懸疑、動作、愛情拍的都很潦草

一次奧斯卡之旅，內容也算豐盛????