前有引路，后有星火，我們都是同路人。

The true writer, does not write to get published. He writes because he has something urgent and personal that he needs to say. A writer must write, as he must breathe, and he keeps on doing it, despite the loneliness, despite the poverty, despite the pile

李木戈去拍紀(jì)錄片吧！應(yīng)該挺好看的，但凡該出現(xiàn)點(diǎn)劇情的地方就亂七八糟的鏡頭堆砌，打戲這是什么運(yùn)鏡啊

因?yàn)榘茁乖谌缓笠财诖膽??????

呵呵（這是我一開始寫的，看了前三集感覺水）"

情節(jié)的強(qiáng)度與反轉(zhuǎn)無關(guān)，而是人物的臺(tái)詞、眼神、表情、動(dòng)作本身被組合成一幕幕追逐，融合了機(jī)鋒、幽默、懸念、熱血、嘲諷，表演偽裝和真情流露也被揉作一團(tuán)，當(dāng)幕間曲響起如搖滾/電子樂般的豫劇，時(shí)空如被瞬間打通，狂躁的宣泄，肆意的游樂。"