在不同的電影“教科書”里看到太多次,以至于期待過(guò)高。比起麥田追跑戲,和攀巖戲,反而覺得火車調(diào)情的片段更經(jīng)得起時(shí)間的考驗(yàn),intense sexual chemistry非常強(qiáng)烈。實(shí)際上,火車站里的片段也很精彩。見不到的卡普蘭就像等不到的“戈多”和到不了的“城堡”,具有存在主義的荒誕意味。男主和媽媽的互動(dòng)揭示了希區(qū)柯克的潛意識(shí)。(電影節(jié),4K,巨幕)
4/5 A significant film in queer cinema and history for that matter, Victim embroils a closeted lawyer who is at risk of losing his career over a scandal of a homosexual nature and a cast of characters with their hidden agendas in a fight for what they dee