Too narcissistic yet how truly artistic... The film is a perfect homage of Caravaggio's paintings, perfect use of chiaroscuro, exuberant colors and of course sexual innuendos
7.8 近幾年野蠻生長(zhǎng)的反類型超級(jí)英雄電影在這部終于找到了一個(gè)平衡的互補(bǔ),一方面它繼承了Robert Kirkman原作中一如既往對(duì)極端暴力和扭曲人物的癡迷,用毫無(wú)掩蓋的野蠻趣味撕開其“惡搞喜劇”的表象(一如《無(wú)敵少俠》);另一方面它卻又承載了舊好萊塢電影天真質(zhì)樸的那一面,單純依靠角色之間的化學(xué)反應(yīng)便能展開故事,只要默念“I've had enough”這樣簡(jiǎn)單的咒語(yǔ)就能擊碎邪惡。如此混沌而又清澈的疊加狀態(tài),感覺是《自殺小隊(duì)》《黑袍糾察隊(duì)》等夢(mèng)寐以求的樣貌。